One Year On- A year of the Grape Press

 

Hey Everyone,

So I have now come to the first year anniversary (well a bit past it) since I first posted. A lot changes in a year; graduation, and amazing summer in St. Andrews and the United States, time spent working in New York City and helping set up a new company in the Auld Grey Toon. Visa problems for myself - and it seems most of my friends and now I am at new heights in my wine experience. It has certainly been an interesting year for the Grape Press and myself.

I have been in South Africa now for 8 days and my experiences have been tremendous. I have seen the most beautiful landscapes I've ever laid eyes on, I've tasted some amazing food and meat some amazing people. My objective; to explore the wines of this country has been well under way for some time, with some exciting results. I have meat young, ambitious and energetic wine makers, old hands with tremendous experience and plenty of other characters in and around this great town of Stellenbosch.

The enthusiasm that these people breathe is infectious, and if you come to a wine farm ambivalent to the product, you will leave an hour later as devoted to the wines as the winemaker himself. It is easy to get caught up in things here in Stellenbosch; because everything about the place is emotive. Every night there is a carnival atmosphere in the town and you can't help but have fun. Beyond the streets of town there is the countryside where the most striking landscapes imaginable can stun you without fail every single day.

I for one am finding myself increasingly devoted to South Africa's wines and the people behind the bottles. There are stories here that ring true with everything I want wine to be. There is romance and there is love for the land as well as artistry and awareness. I know that wine, unlike any other product has a penchant for getting passion from it's devotees but there is an intensity in South Africa that vindicates my devotion to the subject. There are themes that are beyond my ability to vocalise so I will not attempt to do them justice, but suffice to say that they are as great as the Helderberg Mountains and as complex as the country's past.

I hope over the past year you have enjoyed my writing and I look forward to continuing in 2013 and into the future. To see the huge changes over the course of the year, I am filled with great hope to know that just as much can happen in the coming year. Tonight find a glass of something nice, be it wine, beer, juice (whatever!) and enjoy it. I'll be doing the same!

(As always) Much Love,

G

 

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2009 Lions de Suduiraut Sauternes

Hey Everyone,

Today I am tasting a type of wine which I don't believe I've ever written about before. It may be considered the most important sweet wine and arguably the most prestigious in the world, but it so rarely crosses my path that when I do taste one I am rarely in a position to commit my experience to writing.

I'm talking about Sauternes; the regal sweet wine of Bordeaux coming from the vineyards south of Pessac-Leognan is an enticing style that is long lived and often expensive, with some of the most sought after producers fetching extraordinary prices. The most famous of course is Château d'Yquem, a favourite of Thomas Jefferson who referred to Sauternes in general as France's finest white wine. As the practice of harnessing the beneficial elements of the Bortrytis was not developed until a later date, the wine tasted by Jefferson would have been markedly different but even so, it is possible to see that Sauternes' star rose long ago.

The wine I am tasting tonight, however is not nearly so valuable nor so famous as Jefferson's favourite, but it does have a few good merits of it's own. First and most obvious when comparing it to it's fellow sweet Bordeaux such as Chateaux Climens and d'Yquem is the price tag. Retailing for around £15 for a half bottle it is a very affordable sweet wine which has the potential to impress as well as please. It is also a well balanced Sauternes, for something so affordable it stands high above the Mouton-Cadet range and possesses a pleasant equilibrium between acid, fruit and sweetness.

On the finish there is a hint of something like caramelised/ burnt sugar, which takes away from the freshness a little, but does not necessarily ruin the experience. I would treat is more as an aperitif than a desert of cheese wine and let the wine stand alone. It is light enough to go without the cheese that accompanies many Sauternes, and not so sweet that it gets tiresome. There is clearly good winemaking behind the Lions de Suduiraut, and the clue is in the name. It is a second wine of the First Growth Château Suduiraut and gives an excellent opportunity to get a glimpse of this legendary producer's style without forking over so much money for the Grand Vin.

If you get a chance, give it a try and hopefully you'll be as pleasantly surprised with this nice little sweetie as I was.

Much Love,

G

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My Love Hate Relationship...

Hey Everyone,

Today I am writing about my most conflicted of feelings in the entire world of wine. It is the strange phenomenon of the head versus the heart and the knowledge of the former pitted against the uncompromising nature of the latter. The subject matter: Italy, the dilemma; I know it's good and that I like the styles of wine produced there, yet never will I choose a bottle of Chianti over a Rioja or Barolo over Bordeaux. I wrote a post last year about how much I like the rustic wines from appellations such as Chianti Rufina and Abruzzo, and I really enjoy a good bottle of Barbera with a bowl of pasta or a steak, but I fear that my consumption of Italian wine is somewhat forced.

A friend of mine, the proprietor of St. Andrews Wine Company is planning a dinner with a local restaurant which promises to be a truly inspiring experience with a well considered selection of wines to match each course. At first the theme for wines of the evening was said to be the Rhône Valley and I was ecstatic. I pictured a gorgeous dinner starting with duck liver pate and Condrieu or smoked fish and Chateauneuf-du-Pape blanc followed by a braised beef with a spicy Cornas or Cote-Rotie, all to be washed down with a sweet Muscat Beaumes de Venise. Thats when someone suggested Italian wines and my dreams of a Rhône dinner were dashed.

Thats because interesting Italian wines are exciting for just about everyone except me. For some reason I like Italian wines to be simple and easy, not big and complex. I don't know exactly why, because I want this from every other wine I drink; perhaps it is a realm of refuge from the overly cerebral bottles I usually encounter. When it comes to beer, though I love interesting well crafted ales, I can get tired of 7% hoppy IPAs. It may be that Italian wine fulfills the same role for me that English bitter fulfills in respect to beer. It is an escape. That said I know that top flight Italian wine is amazing stuff and whenever I taste it I am happy to have done so, but I cannot say that I would ever choose it for myself.

For instance, last night in the wine shop, Peter opened a bottle of 2008 Vino Nobile di Montepulciano. It was massive, big bright black fruits reminiscent of Napa Cabernet with the alcohol to match. It was excellent stuff, better than most of the wines I've been drinking lately, and perhaps ironically, way better than the Crozes-Hermitage (from the Rhône I love so well) I had two nights ago.

I recognised long ago that loving wine is a growing process, with twists and turns. Where one thing is your passion at the moment and the other your passing fancy, these things may change any moment. There was a time when I wouldn't have even considered buying a bottle of Bordeaux over an American Cabernet, but my tastes have changed and tasting this beautiful Vino Nobile may well have changed my thoughts on what people call 'more interesting' Italian wines.

If there is something you are prejudiced against out there in the wine world, as I admit to myself, make a concerted effort to change your opinion or at least find out exactly why you feel that way. It could be an exciting revelation!

Much Love,

G.

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Wines tasted in Paris

Hey Everyone,

Today I am putting out the tasting notes for a few rather nice wines I have had the chance to try during my travels in Paris.  These are not particularly available in the UK, but hopefully when a better representation of their styles becomes available, you will think back and recall that you heard good things about these appellations.

First off, I spent my first night searching the streets for a good wine bar, and after realising that such a thing in Paris is tremendously expensive, I looked instead for a good wine shop, which I was fortunate enough to find.  The first wine I tried was a 2009 Rigal Cahors.  Made up of 70% Malbec and 30% Merlot, this wine was big and dark, earning it's historic title of 'Black Wine' which dates to the middle ages.  It had aromas of black berries, and smoke, currants and flint as well as the classic Malbec aromas of clove, coffee and cocoa after a few hours left to breathe.  It was deep, bold and satisfying and representative of a style of wine which I hope makes it more regularly to the rest of the world.

Next I was able to get a hold of the second tasty Bergerac of my trip, being a 2009 Roc de Miremont.  I was interested in this one in particular as it was not Cabernet Sauvignon or Merlot based, but rather it focused on Cabernet Franc as the lead varietal.  It was softer than the standard Bergerac wines with which I am familiar, but it was definitely complex and pleasing on par with the rest of the Bordeaux I experienced on this trip.

The last wine I will write about here is the most recent of my trip, being that I am drinking it now..  It is a 2011 Château Auney L'Hermitage Graves Blanc.  It was about 10 euros and for the price I found the most satisfying white of the trip.  It was oaky with hints of peach, lychee and a bit of that rocky gravel character that does such a service to Graves wine.  It was refreshing and possessed a zesty acidic edge allowing balance for it's big, opulent flavours.  Over all a pleasing wine.  I wish with all my heart that oaky Bordeaux blanc under £10 were a reality in Britain. If I could make a wine in a particular style, it would be along the lines of Bordeaux Blanc.  Great stuff.

Anyways, there were plenty more wines tasted in restaurants and from bottles during my trip to Paris but I only wanted to highlight these three for their general interest.  They are styles of wines which should be available to the punter in Britain because they fill a gap in the market.  I hope you get to try some interesting French wines in the future and if you find something of interest, please send your discoveries to me at grapepresswines@gmail.com.

Much Love,
G